Candidates For The Executive Committee

“I run my own independent theatre since 1997 which gave me a large experience in the management, organization and execution of plans and projects in the short, medium and long term.
Also, as vice-President of ATINA/ASSITEJ Argentina, and member of the Board since 2003, I have been involved in each and every programs and projects such as the TYA Critics and Researchers International Forum (6th. Edition), Schoolyard Stories (3rd. edition) Festivals, Playwriting contest and ”Regional Workshops” as well as “ATINA Annual Awards”, among others.

Also, I have many years of experience in the management and executive production of national and international Festivals.
Over the years I have been part of diverse associations and organizations of representative groups, in wich I have developed skill in tasks of collaboration and collective construction, from an horizontal and democratic way sense.”

Since 2005, ATINA / ASSITEJ ARGENTINA has worked in the EC in the organization of international projects that involve and benefit artists, institutions and centers of countries from different regions of the world, while playing an active role in the armed and strengthening of the ASSITEJ Ibero-American Network, accompanying the creation and consolidation of new national centers in our continent.
To give continuity to the task carried out up to the moment, the intention is to commit myself in the deepening and projection to more countries and regions around the world.
Further what has been done it will be important the creation of a Regional Circuit of Circulation and Exchange of Festivals and Programmers in Latin America to make possible the circulation and exchange of artists and theater productions of other regions, and from/to the world, making it possible, convenient, accessible and enriching for each of the involved parts.
In addition, I am interested in exploring the development of more inclusive options for the active participation of members (especially from peripherical countries) in areas of exchange and professional training (workshops, forums, etc) through the use of vi

“One of the reasons is simply because I am passionate about theatre and arts even though I didn’t pursue a degree on it. I realized later that all my experiences in theatre & arts from my young age (played in theatre works at schools, in productions & movie) helped me to shape who I am today – being more emotionally intelligent – meaning more self-confident, self-aware &empathetic.

I believe that easy access to theatre is must for everyone, but it can have a greater impact and much value when it can be introduced to kids early. This is my second reason applying for a member of EC ASSITEJ so that I can be a part of a community where the mission is to advocate and bring an easy and constant access of theatre to every child regardless of their background and beliefs; ensure sustainable development of theatre for children by uniting theatres and organizations throughout the world; creating new practices&opportunities on behalf of all children.

Since many Asian countries have a little history/less experience doing modern performing arts for young children compared to some developed countries in Europe, I can be part of a team that can change it & be a voice on advocating&uniting many Asian countries to ASSITEJ”

The skills that I can bring to EC work:
1. Communication skills
2. Planning and executing projects in each given timeframe
3. Be an active team member by sharing own perspectives on any given topics
4. Be responsible on meeting deadlines and results
5. To read, select and edit articles for publication
6. To plan and oversee the look and lay-out of the publication with the selected designer
7. Project management skills from my previous work experiences
8. Administrative skills
9. I really like the idea of having an virtual academy of ASSITEJ which will help to so many artists, individuals and organizations in the field of TYA who cannot attend/afford international festivals and events, and/or who have language barriers but who are eager to learn and do, therefore I would be interested to be involved in this project as any means necessary.

“Changing the world with performing arts, that’s the main motivation to contribute to the quality and development of children’s theatre all around the globe. That’s the reason to apply for the EC of ASSITEJ International.

It’s my strong believe that exchange and collaboration are the ingredients to make theatre accessible for every child, regardless its background.

In the world of arts there is no selling and buying. The only thing there is, is the content of a show and the child as a spectator. With these two ingredients we can encourage children to tell their own story, the boundless story of the imagination. By becoming part of the story, by experiencing it and using your imagination, your world becomes larger and more familiar. With art we create the citizen of the future. Every child looks differently at a show and every director or choreographer is producing an unique art work. This happens within the context of its society. To exchange and learn from each other by using art that’s produced in another context then your own familiar one enriches the way of thinking and gives an impulse to creativity.

I am persistent. I am a fundraiser. I am experienced in financial management and writing proposals. I have knowledge on the international field and its cultural policies. I am experienced in making coproductions, collaborations and network works.

“I would like to be involved in next EC of ASSITEJ International as a candidate representing ASSITEJ Russia, and would like to hope that new term became an important step for me personally and benefit for organization. ASSITEJ need to change every time, because our public is energetic young audience who need to experience a wide range of high-quality theatre, to find strong and actual themes on stage and every 3 years new team need to hear and to feel this challenge of modernity. I would like to promote ASSITEJ and TYA today when the value of live theatre art needs to compete with contemporary digital epoch. It is important for me to become a part of such a team for ASSITEJ and to help with all my skills build the future of the theater for the young together with good team of professionals to working for creation a better world.”

I’m working as a journalist and SMM manager for culture events for years, as a theatre producer and festival organizer too – and last 3 years as EC member was a fruitful experience for me, when we presented all activities of ASSITEJ via social media tools like Instagram, Facebook, website.

I worked as editor of three annual magazines ASSITEJ in a great team of my colleagues and understand the value and importance of these articles about the current situation in theatre for young audience. I would like to continue my work for Publications and Promotion of ASSITEJ – because it’s the way to present ASSITEJ to the world, to make all activities of organization visible and
important.

My motivation to volunteer as a member of the EC is based on five pillars:
1. To advocate, develop and promote the work of artists and practitioners in the field of TYA. I do believe there remain possibilities to enhance the visibility of the sector, on local, national and international levels. TYA must be taken seriously, as it is a way of fostering children’s ability to emancipate.
2. To continue the support and implementation of actions that have been relevant for the past years, endorsing collaborations, encouraging solidarity among Assitej members: artistic exchanges, trainings, etc.
3. To reinforce the sustainability of the association, by continuing to search for additional financial resources.
4. To cultivate and share our cultural and linguistic differences. Diversity in a global world is a strength.
5. To look for ways of building bridges between other artistic disciplines, such as circus, street arts, visual arts etc.

I think one of my main soft skills would be: facilitating. I like to be the liaison between people, to make people meet and eventually plan projects together whatever their differences are. Since the co-foundation of Assitej Belgium in 2015, I see myself as a “broker of ideas”.
I am also a very curious person: I am always eager to learn, and to understand about the way things go in other countries. It gives me ideas that I can pass forward to others. Open-mindedness is one of the key to success.
As an expert for the EU cultural Agency in charge of the Creative Europe programme (EACEA) for the past 5 years, I have learnt to evaluate large scale cultural projects, to write reports, and to monitor also other experts. I have also acquired a certain knowledge of EU cultural policy.
In my daily work, as a manager of a structurally funded TYA company in Brussels (La Casquette), I have experience in coaching artists and other art professionals with their strategic plans and artistic approach.
I am convinced that all the above mentioned skills and experiences will be very useful for ASSITEJ.

“I can say that, at present, I am aware of the skills I have developed, and have created the conditions that make me able, for the following 3 years, to serve the common good in a wider vision. In the past 20 years I have been fighting daily, defending the value of theatre for young audiences from the “B level” label with activities thought to enlighten the quality of the sector.

Theatre and performing arts in general should remain the field of a pregnant relation between art, didactic and ethical. I believe a good show for young audiences should nourish, communicate emotions and stimulate creativity both in adults and children. I believe theatre for new generations, like poetry, have the capacity of expressing a lot with less; that arts give the chance to acquire skills and instruments – not necessarily didactic- but empowering us to read the reality and help us to positively change society. I believe with our work we can contribute to making the world a better place for fragilities and differences and a place where youth is more respected.

I would love to put this vision to the service of Assitej International mission facing that daily challenge on a global level.”

“Six years spent as Vice president in Assitej Italia can ensure my capacity to follow agreed policies and protocols. The experience in international cooperation and networking made me aware of the importance of working with high ethical standards, in a spirit of generosity, “opening doors” and sharing. I have experienced the challenges and negotiations that are needed to be faced in that approach and always being able to make appropriate decisions, even if sometime a step back is needed for the common good.

I am used to travelling as Segni director, about 45 days per year visiting international festivals, so I can support my EC participation according to founding and working time.

I am willing to share my fund-raising competences, together with the Secretariat, never forgetting the values but exploring capacities and possibilities.

I am used to online cooperation, ready to share my Arts management experience, writing and communication skills and also to learn more and disseminate.
I am in a learning process of sociocracy and non-hierarchical processes and I will be happy also to experiment new models of governance, always respecting the general assembly’s decisions.

“In 2017, I was Next Generation for the South African World Congress. I thrived on forging new friendships, partnerships and collaborations. Two months later, I was co-opted onto the ASSITEJ UK board.

In 2018, I joined the steering group for IIAN. In 2019, became International Representative for ASSITEJ UK and Chair of IIAN. I am excited for the next phase of IIAN’s development; our new IIAN Champions programme and launching our membership.

The ASSITEJ Constitution states children and young people must be allowed a cultural identity, be visible in society and have a right to enjoy arts/cultural activities. ASSITEJ has made me increasingly politicised and recognise the need for united, global working.

I will further imbed inclusion and access as ASSITEJ continues to grow.
I will continue to develop collaborative working and learning of all members & networks.

The 4 corners of the UK push the expectation of inclusive & accessible theatre. We recognise these as creative tools; not barriers. Continuing this success relies on global partnerships.

The UK has its arms open, and is firmly dedicated to our sisters, brothers and partners around the world.”

Project Working Groups.

In terms of Project Management, I co-manage a team of over 50 practitioners pan Wales. Across a number of creative and participative projects, I work collaboratively to ensure the continued development of all programmes.
On-going research, consultation and evaluation is key to successfully delivering on a body of work.

Facilitation is one of my strongest skills. Creating a space for people to connect and develop is exciting, and a deep-rooted passion. Ensuring these spaces are inclusive, open and accessible to all should always be an aim, and I would relish supporting ASSITEJ’s ambition to achieve this.

Developing workshop encounters, Open Spaces, Forums, Fishbowl discussions, and online sharing experiences is particularly interesting. I benefit greatly from these experiences and appreciate the importance of delivering a solid and appealing programme. There is a wealth of expertise in ASSIEJ, and offering a forum for all voices from around the world is paramount to supporting continued development.

Collaborative working with other skilled and passionate individuals on the EC would spur on my learning and passion for ASSITEJ.

“I believe in the importance of TYA and its global activities to support and strengthen every young person’s right to culture, arts and education no matter where they are born. Both, young audiences and their artists, need a strong and efficient network that gives them a voice and clearly articulates their needs and interests.
Having been a member in several professional networks, festival and award juries as well as political committees, I quickly familiarize myself with new topics and I am used to productive working structures and collective decision making and I love to brainstorm “outside the box”.
I believe in the power of (fair) cooperation instead of competition. Our audiences and our art profit most when theatre makers from all continents and places – mega cities to villages – and various artistic languages exchange and learn from each other. The EC can help find the common ground in all our individual tasks and struggles in order to develop strategies for shared artistic endeavors and cultural policies. I would love to be part of this empowering network and to contribute to a sustainable future for TYA as a change agent in transformational processes all over the world.”

I have worked in intercultural projects and easily adapt to new groups. My theatre work is interdisciplinary with a focus on music theatre and theatre for the youngest. Not only crossing lines of language, music and dance are important to me but also cooperations with non-theatre institutions like museums, universities and other not art related partners. I would like e.g. to work with and develop the Regional Workshops and create sustainable, process-orientated activities that bring together experts from different fields and backgrounds that inspire and empower each other.
I am:
– very well connected in the Western European TYA network and happy to introduce my contacts to each other
– interested to share the state of the art of Germany’s TYA and bring the impulses from outside to Germany
– very good in communication both in writing and in person and experienced in arts management and fundraising as well as in designing and managing communication campaigns. I can stir enthusiasm in audiences, convince decision makers and sponsors and motivate teams to achieve common goals, both in the arts and in cultural policy making
– a skilled presenter and a very experienced dramaturg

“I am a Southasian and a global citizen by heart. My association with ASSITEJ is a decade old when I was in Kennedy Center and was engaged in its events there. I returned to Pakistan and The Little Art became an individual member till we established ASSITEJ Pakistan as national center.

In the past 4 years, we established ASSITEJ Pakistan with a spirit of volunteerism, where members come to contribute to the platform, co-produce projects & workshops and develop international linkages for exposure and support. We set up Tamasha Festival that has large audience now, bring together theater makers from nearly 10 countries through Next Generation, and promote international exchange as recently ASSITEJ Pakistan and ASSITEJ Sweden collaborated for a project.

I want to represent Southasia in ASSITEJ EC, that will strengthen the work done in the region, and will build on the assets of my ideas and dedication that I present. TLA provides a perfect secretariat with a full time team of 14 people to further the cause of the network. I will be able to expand ASSITEJ International through my global exposure, arts management skills & authentic interest of working for children and young people.

I have been working in various management level positions in the past with organizations like British Council and international projects such as arts management consultant with Government of Sharjah, United Arab Emirates. I founded The Little Art from scratch, an organization that hosts now some of the Pakistan’s largest festivals, art events and exhibitions in various art forms. The following skills helps me to understand job as EC, and deliver it with full understanding and commitment;

– Experience of managing multiple projects in various countries
– Ability to understand project and ideas from arts management perspective
– Understand the importance of collaborations and networking, and how to make fruitful and long lasting connections
– Ability to support networks where communication plays a vital role
– Developing new projects, and support ideas from various backgrounds and cultures
– Celebrate diversity and understand cultural contexts
– Ability to develop project proposals, understand scope of work and deliver successful projects
– Maintain an open communication with partners & donors
– Be resilient in situations where projects & ideas might not work initially

I am excited to stand for a second term as a member of the Executive Committee (EC) of ASSITEJ International. Thinking back, I was hugely privileged to be elected as a member of the EC three years ago in Cape Town. For the past three years I have been working specifically in the Publication and Promotion group within the EC. It has been an invaluable time of professional development for me to work there. It has been a learning process and now I feel it is time to contribute more actively to this wonderful organization.

I fully understand what my missions are in ASSITEJ. There are two missions in general. The first is as a professional I should put my abilities into actual ASSITEJ projects and business so as to make the organization more concrete. The second is that I feel I should do more to expand and deepen the relationships among the Asian TYA communities. Asia is so large and diverse that there are many people, communities and countries which are so active by themselves or have many potential resources for TYA, but we haven’t actually got to know them yet. I will do my best to discover and connect with them, and get them to join us if I am chosen again.

– Cultural policy knowledge and experience
– Arts management knowledge and experience
– Funder and funding knowledge and experience (but not international experience)
– Editing skills
– Marketing and PR skills
– Project management skills
– Administrative skills
– Communication skills (especially listening to others)

“I was elected to be part of EC in 2017, and have served one term as a board member. I have been working on the project group, facilitating Regional Workshops and working on the artistic encounters in Beijing, Kristiansand and Tokyo.

I am very motivated to sit one more term. Being part of the EC has opened my horizon as to what theatre for a young audience is in the world today, and it is a great honour to be allowed to work for a cause so important and bigger than all of us. I believe that working with TYA through out the world builds bridges in a political climate where a lot of states are more concerned with building walls and promotes democracy, tolerance and understanding.

We live in a world where news – fake or real – travels too fast. It is easier to scream at or to ignore each other than to really listen. I think meeting through art makes the world more open to listening to each other. Together we are able to take the best practices from all over the world and to learn from each other. Very little inspires me more. I hope I will get the possibility to serve one more term.”

I think some of my most important skills is the experience I have gained over the last three years as part of the project group in EC. If elected, I would like to continue working in the project group. Here I have been planning workshop, encounters, open spaces, forums and discussions. I am very interested in language and translation and how we communicate inside such a big association as Assitej, and I think this focus is very valuable in the work I have done for the organization over the last three years. I have worked a lot on the regional workshops and placements and have started to work on the Assitej virtual academy which is very exiting. I have a big international network for identification of persons with skills needed for regional workshops. Finding online mechanisms for sharing knowledge, practices and processes, including webinars, live streaming, facilitated online workshops. I am a dramaturge and playwright and have good dramaturgical skills. The last years I have worked as the artistic director for a big regional theatre in Norway, and have good project management skills, facilitation, communication skills and administrative skills.

“I believe that being a member of EC gives you a voice that can be heard, so I would like to use that voice to speak for those smallest ones, who can’t speak on their own yet.

I want to talk about responsibility, sustainability and quality. I would like to serve for more & more visibility & accessibility of performing arts for early years based on the deep research provided by ASSITEJ Networks and focused on the healing capacity hidden inside of TYA. In the world that has an unsure future we have to put a lot of effort into bringing up kind, self & earth conscious people and theatre is a perfect place to start the discussion about the future – today.

I have been working in the field of performing arts for children for over 10 years now and I believe that international collaboration is a key to real development on many levels – from small scale events that touch the audience directly to wider perspective of international and global concept that brings people together.

I believe that we all have a mission to do and sharing is the only way to grow. We have to think not only for the present but even more importantly for the future of the children and the planet.”

I truly believe in one of the main objectives of Small Size Network saying that small children are the “spectators of today and not only of tomorrow” but as the future starts today, to really talk about it we have to focus on the fact that whatever we do now has a future consequences. Art for me is a place for a dialogue, so we have to ensure that we actually invite children to this discussion. As a Member of EC I would like to focus on two most important areas:
– quality by promoting good practices (as children deserve the best)
– accessibility (in terms of number of children participating in artistic events, focusing on those whose participation is limited)
What we offer to the smallest children in their first years is what they emotionally benefit from in their future life. I believe my contribution to EC can widen the visibility of the smallest spectators in the work of ASSITEJ International. I would also like to serve as a link between EC and Networks as their specific research is crucial for creating a theoretical background. I hope that my previous international experience in producing events, managing projects & being an artist can be beneficial to ASSITEJ International.

“Since 2008, when I had the first contact with ASSITEJ International, in the first taboo-themed workshop in Venezuela, I was able to realize the importance of organizations and networks in the field of TYA. I participated in several meetings with artists, researchers, educators and producers who are dedicated to TYA and who are committed to spreading and creating opportunities in the most diverse parts of the world. At CBTIJ / ASSITEJ Brasil we think that politically for Brazil at the moment, and also for our region, it is important to have a representation of the country at the Executive Committee, contributing to an even greater consolidation of the Iberoamerican TYA Network. Due to my professional experience in publications and organization of scientific events and considering the two opportunities I had to be part of an open EC meeting, I believe that my greatest contribution will be made in the Publications and Promotion working group, a group I was able to approach in URUGUAY (EC meeting, 2019) and AAG (Kristiansand, 2019). As a member of the ITYARN board, I will be able to act as an interlocutor between the EC and ITYARN, taking responsibility for the Network’s reports.”

Due to my work at the University, since 2000, I have participated in several editorial boards and event organizing commissions, in addition to the organization of some books. Within ITYARN, I worked on scientific councils collaborating in the selection of texts for seminars held by the network. So, I have experience to work in the creation of ASSITEJ publications. Another possibility of contribution is due to my training as an architect and set designer, which allows me to collaborate in the planning and organization of the design of the Association’s publications and other materials. My experience in organizing events and as a researcher allows me to think about strategies for dialogue with the organizing commissions of the Association’s events, considering the possibilities of documentation and memory.

“Serving on the EC requires open-mindedness to “open doors” for the organization beyond one’s “backyard”. I am passionate about languages in the theatre. My beliefs embrace diversity, as captured in a case study I wrote for PHAKAMA: Making Participatory Performance.

In Africa, theatre is often an elite event. I want to open conversations that recognize diverse historical backgrounds and present multiple stories. We need engaging stories to strengthen the critical consciousness of children and young people. Young audiences must be exposed to intercultural collaborations that enable informed choices in varied contexts. Barack Obama’s lecture on Mandela said “young people are capable, when aroused, of bringing down the towers of oppression and raising banners of freedom”.

Reflecting on 2017/2019 Cradle of Creativity, I feel ASSITEJ is on the right track. I want to strengthen child participation in our work and see how young people’s experiences can inspire different aspects of theatre-making. I am keen on the UN’s commitment to child participation, including producing child-friendly versions of reports. Also, a longitudinal study on the impact of child participation in our programs.”

I bring a strong sense of research and documentation that I believe will be beneficial for ASSITEJ projects. Specific skills include monitoring & evaluation, facilitation, writing/communication, and cultural policy knowledge. I am passionate about languages in the theatre. Moreover, I serve on the board of ASSITEJ SA (since 2015) and have seen how ASSITEJ work shifts paradigms for young people. I follow after the strides of current President, Yvette Hardie, our ASSITEJ SA Director. And I hope to continue to strengthen the presence of the Southern African region while using all my experience and abilities to serve ASSITEJ International. I believe ASSITEJ is a strategic avenue through which different disciplines can meet children, including all arts, education and business. Africa has an ambitious Agenda 2063 and it is through the work of ASSITEJ that a collective narrative, inspired by the experiences of the current generation, can be built.

“I am applying not only individually, but on behalf of the commitment of both ASSITEJ Spain board and members, convinced that it is necessary to work together and continue asking ourselves around the key role of performing arts for young audiences to improve our lives and the whole society

When I met ASSITEJ I discovered a world full of values and possibilities, I felt the importance of art for young people and the importance of defending it.

The exchange is, in my opinion, the main way of learning and the way through which we can progress, step by step, together. Being part of the EC I am sure that it will continue learning and I hope that allows me to contribute in a modest way to this journey.”

As a result of attending the open EC meetings I have a better understanding of our colleagues’ work and I believe that we can especially contribute to Publications and Promotion area. The skills that are needed are part of the work that I have developed over the last years.

The last five years I have worked in a publishing house and developing the following functions:
• Digital Communication / Social Networks /
• Writing press releases and contact with journalist.
• Web design and graphic design of promotional materials (posters, advertisements, leaflets, catalogues)
• Commercial management

Since 2018 I am also the editor of ASSITEJ Spain publications, where we publish plays and essays by both Spanish and foreign authors, taking care of the content as well as the look and design.
I have skills also in graphic design and have worked as a production manager in a graphic design studio.
I am a freelance web designer and have created websites for different publishers, photographers, festivals, associations, …
As manager of ASSITEJ Spain I develop the projects of the association, fundraising, coordinating the work plan and engagement.

“I want to be involved in ASSITEJ as an EC member because I would like to pass the legacy of 2020 World Congress to next generation.

I have worked as an Assistant Congress Producer for 2020. I have learned many things through the preparation. I would like to share my knowledge and experiences with hosts of next ASSITEJ Artistic Gatherings and World Congress.

I also want to bring the voices of Japan and Asia to ASSITEJ community. It would be beneficial for international understanding and mutual friendship in ASSITEJ, and for development of TYA all over the world.”

I think that my skills and interests will benefit the “Publications and Promotion” group in EC in its working plan.
I am a researcher of drama in education and TYA. Currently I have been coordinating ASSITEJ Magazine and ITYARN conference in 2020.
I am good at writing, reading, selecting and editing articles for publication. I am also good at organizing translations of articles where necessary. I believe that I could contribute to the management of all processes towards the creation of publications by ASSITEJ.

“When I ran for the EC, I shared that I thought it was my duty as an artist dedicated to the next generation of global citizens to show young people and my fellow artists that it’s not about building walls, it’s about building bridges. It’s about communicating and exchanging ideas with those that are similar to us as well as those who are very different. Over the past three years on the Executive Committee, I hope that I’ve shown what I set out to do. As a member of the projects group while leading Encounters at our three events, I’ve tried to build bridges of communication. I’ve also tried to use my talents and skills to help the organization as well as those that come in contact with it. Because of my love and appreciation of ASSITEJ, I would like to continue to give back. I would like to help create opportunities like the ones I experienced as an emerging artist. Serving for another term would be a way to give back and show my gratitude.”

My fellow EC members can attest that I am a responsible worker, enthusiastic collaborator, and certainly ready, like the job description states, “to think outside my own backyard.” In addition to my skills used as a member of the projects group, I have helped with publications for TYA USA as well as fundraise for my own theatre. I am also interested in becoming Treasurer on the EC. I am ready to act where my skills are needed.

I’ve been a part of ASSITEJ from 2014, Poland as a NG participant. That was the beginning point for understanding Assitej and next year I became the leader of new NG group in Berlin, 2015. In that year I also involved gatherings and seminars so I found Assitej very interesting and important. For the further years in Birmingham and South Africa I was also doing activities in NG network and I was Iran’s envoy in all these gatherings. China and Norway I couldn’t make it because of money issues. USA sanctions made our money very cheap…

I am from a very special country, country of poetry, with art big history but unfortunately under USA shadow and close to be attacked every minute. As an artist my goal is making a better world for children. A world with no war with equality.
Art in the language of theater can make a change. I’ve felt pressure, poverty, being threatened by all my heat so I will never let other children to feel it. My only weapon is art, is theater. I know many children are also living in the same situation as we do or maybe worth. I would like to make every children access theater. To prove myself an Iranian woman is as powerful as others from all over the world.

My specific skills and interests are:

Fast learner,
Speaking English,
Respect all cultures,
Interested in traveling alot,
Can give speeches,
Well known and famous in my own country,
Well known in Assitej International,
Easy to communicate,
Researcher
Funny
Hard working