In Theatre for Young Audiences (TYA), inclusion and engagement are not just artistic choices—they are necessities. Around the world, theatre-makers are rethinking how to reach young people, particularly those who may not traditionally have access to the performing arts. Whether through new touring models, digital innovations, or deeply participatory performances, theatre is evolving to reflect the diverse realities of young audiences today.
Norwegian theatre has long been at the forefront of these conversations. Through initiatives such as The Cultural Schoolbag, Norway ensures that performing arts reach every child, regardless of background or geography. But inclusion is about more than just access—it’s about making sure young audiences see themselves, their experiences, and their concerns reflected on stage.
At SayNorway, part of this year’s ASSITEJ Artistic Gathering, Norwegian theatre-makers will share how they are tackling these challenges through innovative practices:
The Cultural Schoolbag & Norsk Scenekunstbruk – Norway’s national touring system, which brings high-quality theatre directly into schools, ensuring access to the arts for all students. Tine Valauvo Tyldum (CEO, Norsk Scenekunstbruk) and performer Guandaline Sagliocco will discuss how this initiative has shaped the landscape of TYA in Norway.
Tigerstadsteatret & Community-Based Inclusion – How do we bring theatre to those who don’t usually visit theatre venues? Director Hilde Brinchman will present Tigerstadsteatret’s “Tigerbussen”, a mobile theatre reaching children in underserved communities.
The Dark Fortress – Digital and Interactive Theatre – As digital culture becomes a defining aspect of childhood, how can theatre adapt? The Dark Fortress, a Minecraft-based live performance, engages teenagers by blending theatre and gaming. Co-creators Frode Gjerløw & Håkon Dalsbø will share insights on how digital features can enhance participation rather than replace live theatre experiences.
Theatre professionals worldwide are grappling with these same questions. How do we design performances that invite young audiences to be active participants rather than passive spectators? How do we make theatre not just available but relevant and engaging to today’s young people? Norwegian theatre offers some compelling answers, but the conversation is far from over.
By exploring these themes, SayNorway contributes to a global discussion about the future of TYA. Whether you are attending ASSITEJ Artistic Gathering or not, these ideas are vital to consider as we continue to develop theatre that speaks to, with, and for young audiences everywhere.
